Davidmk

I'm sure someone from Z88 will be along with a more authoritative explanation but I imagine they are enjoying a very much deserved Christmas/New Year break so it might be a while. In the meantime, here's what I think... Your strip will normally have a colour assigned before you raise the fader. This may be the last colour you had it set to or it may be the default colour (usually white). This is the colour that will apply when the fader first starts to move - the new colour doesn't apply until the fader reaches the trigger level. See the manual here. You can try adjusting the trigger level as described in the manual - this will snap to the new colour when the fader reaches the trigger. If you want to fade from the old colour to the new one then you need to modify the fader controls, again see the manual here. As an alternative, at the bottom of the same page of the manual you will find a tip about setting the playback button to "Go" and using it to prep the colour before raising the fader. If you are busking then you might want to consider creating colour mixing faders rather than recording specific colours on individual playbacks. This is mentioned under "fader controls" but I think there is a longer explanation somewhere. Essentially you create three playbacks one for Red, one for Green and one for Blue and use these to mix your colours live. The trick is to make sure that the required colour is the only one tagged when recording each playback.

I don't think that was the case. Maybe it depends on how you select (touch screen, keypad or next/previous). I'm in theatre for a conference Monday so I should be able to report back then. Good to know it is on the radar though and possibly fixed although I'd have preferred it to just stay where it was. Thanks for the feedback.

I busk most of my shows so I have a pretty extensive default setup meaning I have something repeatable covering all the features I use but I was still on 7.9.5 or 6. I also have Captur set up for the matching rig. So I upgraded my FLX, straight to 7.10 on Monday. Loaded up my default show, had a bit of trouble re-establishing the link to Captur but otherwise no issues. Changed all the "red" fixtures to the new library. Had to hunt a bit for one fixture type, ended up with a generic IRGBAWUvSt but otherwise had a match for everything. Tested again on Captur, all good. First show was on Thursday, no desk issues (the band were a different story 😀). It was a simple show though, not a serious work out. Of course there's a few differences, been so used to where all the beam parameters were it's fun finding them among the beam/shape pages but I'll get used to it in time. Slightly annoyed that one thing didn't change - if I'm setting beam parameters (usually zoom & focus) and I select the next fixture the parameters change to the last page and I have to change it back. This happened on the old version but I hoped it would go away 😞. No "proper" workout until 8th December (all conferences and touring lights until then) but I'll report back if I find anything.

As with you, don't do this much but I'd say it does it practically every time.

Defaults can be set or amended in a similar way to cues and pallettes. Select the fixtures you wish to change, set the parameters how you want them then press Update then Home. On the screen, select Default. This is covered in the manual here. Les valeurs par défaut peuvent être définies ou modifiées de la même manière que les queues et les palettes. Sélectionnez les appareils que vous souhaitez modifier, définissez les paramètres comme vous le souhaitez, puis appuyez sur Update puis sur Home. Sur l'écran, sélectionnez Par défaut. Ceci est couvert dans le manuel ici.

What you've done should work - I've done similar many times. Sounds like you may have recorded the zoom parameter with your intensity. Delete the intensity playback and re-record it making sure beam is not selected. Also, if you haven't already, press & hold setup and press the zoom playback button then select the general tab and ensure beam is selected under fader controls.

Similar, I've acquired a merger to make the switch to a scene recorded on my tester and I'm adding a splitter with a hold facility. Idea being the splitter gives the signal to the tester (so I can record the walk-in state) but also holds the current state. If I have to go to interval or end show I can just set the tester to send and it should all happen without swapping plugs. Might be overkill, might never happen again but it's peace of mind.

Some are, others are not. In particular, one group of LEDs starts strobing if they lose DMX. I can't change settings, other people use the rig and a different desk so changes are down to the technical manager. I have a partial solution that will maintain the state while I restart and I'm working to improve that. I'd be pretty stuck if the desk didn't come back. I could fall back onto the house desk but it would take a while to program it before I could use it. I should really prepare an ETC showfile with the basics already in place. Away from my usual venue I have no fallback but I guess that's the position for most people. Perhaps I should look at a PC solution - Phantom ZOS or something else.

Perhaps, when you are looking at partial load you could look at some way to select what gets left out when transferring a show from FLX to FLX S. We've also discussed making the MIDI notes start selectable rather than fixed at PB1.

Doh! Thanks That was the intention Bit of background... I'm looking for a backup solution because I made my FLX hang in the middle of a show on Saturday. First time I've had the problem and I don't know what I did immediately prior so can't make a useful report. Plus I'm a few versions behind (still on the old showfile format). The FLX was still sending DMX so I got out of it by powering up the house ETC, programming something similar to what was on stage and then quickly swapping the XLR from one desk to the other, restarting the FLX and swapping back. I've obtained a DMX merger with backup mode and my DMX tester can record & replay a scene so I've changed the setup on my desk to send U1 on both outputs and, if it happens again, I can record the current output from the 2nd output, set the tester to replay it and then disconnect & restart the FLX. With the FLX restarted I can then set up the same output and reconnect it. That's all a bit clunky and what if the FLX doesn't come back? Hence the interest in having a backup desk, it'd be handy too if the FLX ever needs to go in for repair. However, from the replies, it would seem that only another FLX would make a satisfactory backup so I guess I'd better start looking for a used example at an attractive price. Bit annoyed though, there was one on eBay last week, gone now. Thanks both for your input though, saved me from a bad decision.

I'm thinking of acquiring an S48 as backup to my FLX but I've got a couple of questions... Regarding the 96 fixture limit. I have a number of channels with more than one fixture (with different DMX addresses) patched to them. Does the limit apply to channels or patched fixtures? Regarding the playback limit. My default show has a lot of playbacks that I trigger with MIDI notes and these have to start at PB1. Obviously I wouldn't be able to use these but I would need to load this show and get pages 8 & 9 of the FLX playbacks mapped to pages on the S48. Can this be done and how does it work? Anybody think of anything else that could trip me up? Also, if anyone has an S48 they want to sell could they message me with a price and their location?

Very much agree with that. 👍

There is - rightly - a fairly low bar to getting an account on this forum. This is a good thing because it means anyone who needs to join and get our collective help can get in very quickly and post their questions. The downside of accessibility that it is possible for things like this to happen - thankfully it is rare. This can happen on pretty much any social site including, for example, FaceBook. You can't blame the forum itself. We should all judge the credibility of unsolicited messages, be wary of clicking on links in them and speedily report anything that seems wrong. And you can't blame the moderators. If we report the dodgy messages quickly and they shut the offending account down promptly then that is the best that can be achieved. The alternative is to put obstacles in the way of joining, bar new users from using direct messages and generally get in the way of helping us and, particularly, new users with genuine problems. I'm happy with it the way it is. I think I've only had two messages like this since joining - well down on the frequency and annoyance caused by rest of my (very limited) social media presence.

I was more concerned that this could cause problems if it was engaged. If it was me I'd be trying to take it out of the equation, possibly by choosing a mode where it is disabled. Now this might be a clue. It is absolutely critical that the profile and mode exactly matches the fixture and mode it is in. Otherwise you could getting on fine, add UV to you colour mix and be totally surprised when the fixture starts strobing - or something equally weird. On the other hand... This might mean the issue is not the DMX signal leaving the desk or the profile/mode you have patched at all - a dodgy DMX cable or connector could be to blame. If it isn't that then we are back to the patch being wrong. if you haven't already, then check the fixtures labels carefully to see if it has any model information you can use to find the right manual. If you still have the Strand desk, it might be worth powering that up and checking what these fixtures were patched as, particularly, how many channels they used. If it has a display of DMX outputs you might be able to work out which channel equates to which parameter as well. Here's another trick you might use if you are not sure about the profile. Save your show first, you'll need to put it back after. Clear everything (see clear options in the manual). Turn RDM off. Take one of your fixtures and find it's DMX address, connect it directly to the back of the desk with a short DMX cable, put a terminator in and connect power. Patch some dimmers (more than you think your fixture has channels - at a guess 30 would be more than enough) starting at the address of your test fixture. Make sure the desk is in channel mode. What you should have now is a fader for each of the fixtures channels so, by pushing the faders up, you can see what each channel does and whether it matches one of the modes in your manual. It's a bit tedious and with some parameters (that DMX delay for example) it might be hard to discern the change but it should give you some idea. Remember that the dimmer channel and at least one colour channel need to be up for there to be any visual output so you might have to try various combinations of faders until you get something you can see. If your fixture has any 16bit controls then they will be controlled by a pair of adjacent faders with one having a big effect and the other a small one. Obviously the excess channels should do nothing but the last channel that does something visible might not be the last in that mode so be careful about that. Hopefully you will be able to find a manual where one mode matches the channels you've found and any you couldn't work out are explained. You can then reload your saved show and patch that profile/mode and try that. Apologies if any of the above seems to be stating the obvious - clearly I don't know your level of experience so I've aimed pretty low PS Very early in my career I used Strand equipment, of course it was still resistance dimmers then and I was gobsmacked by the Mini-2 when it came out. I discovered the Z88 Sirius later so, while I still have nostalgia for the old (Strand) days, I wouldn't want to go back to them. I mean, nostalgia's alright but it's not what it was

Gosh yes, meant to say that as well, thanks for the reminder @kgallen I've been looking for information on the fixtures. Two points... Are there multiple models of this fixture? I've found one with a suffix of "g2" and one without. If this is the case, what are these fixtures patched as? The g2 manual I've been looking at mentions a feature called "DMX Delay". Something to do with creating chases when the desk doesn't have the facility to do it. Could this be involved somehow?

I confess I've never had this issue with a desk although I have had less than perfect control due to issues with fixtures, dmx splitters, termination and the fixtures themselves. However your logic (that the fixtures don't cope with the signal they are getting) does have merit. I expect someone from Z88 will be along in a bit but, in the meantime, perhaps I could refer you to this bit of the manual which says... "You can also change the Transmission between Continuous or Delta. Continuous transmission will result in DMX data being sent at a steady refresh rate, and is the default option. FLX consoles transmit at 33Hz, and FLX S consoles transmit at 29Hz. Changing the Transmission to Delta, will result in the console sending DMX "updates". This means DMX frames will be sent whenever there are level changes on the console. If you are controlling a fixture that doesn't seem to be responding correctly, change the Transmission to see if the fixture prefers the change in frame rate. If it does, your fixture is not truly DMX." Another thing to check is that the DMX addresses do not overlap. If these fixtures have a number of modes then remember to allow for this and make sure they are patched in the correct mode as well. (The desk should not let you patch them overlapped but if it thinks they have less channels than they actually have it could happen.) Can you expand on this? For example, if you try to change their state do they just remain the same or do they just go off or do they, perhaps start doing things you don't expect? Also, if you set up a state and leave it, does the problem still happen or does it happen only when you tell them to do something different?

I may have it off by default, can't remember. I'll look at that as well. As I said it's been working the way I want for ages but I'd like to understand it better.

Well that's definitely not what I want so perhaps I need to check this out. What I'm trying to do is have a playback that is just colours and control intensity on faders. The colour cues are triggered, out of sequence, using midi. I've been doing this successfully for months but I was making changes to the cues and adding effects to the stack. Another thing to check out. I'm in the theatre for the next 3 days so I can use a real rig instead of Capture. Thanks for the input though.

Hmm, yes except I didn't turn them on in the programmer. I have sub masters for the intensities. I just assumed that the rainbow effect was colour and intensity and that was where the purple intensity value came from. I'll have to look later. Not important, just curious.

Just so happens I had purple intensity values myself this evening. I don't normally use cue stacks, much less blocking cues, but it happens that I had added a rainbow effect to a stack of cues and the purple values came up when it was running so, I'm guessing, that an effect cue operates like a blocking cue. Am I right?

And I said... Because, as I see it, the current arrangement (of using old format fixtures) is OK as a stopgap but not sustainable.

Custom layouts duly voted for. Thank you.

This is a really good thing, gives you a centralised place to see what the community wish list is - it should help you to please more of the people more of the time (all the people all the time being impossible of course). Added my top 6, got some possible candidates for another two but not sure which to choose. Something that isn't there (and it should already be in ZerOS) is the ability to view faders on pages other than the one currently selected on the main desk. If you have wing(s) you should at least be able to view the pages selected on them. If, like me, you are triggering playbacks on pages that are not selected then being able to view those pages would be very helpful. Needs to be in the monitor app as well as on the main monitor (since you can't have multiple monitors). There are some look & feel improvements suggested. I'd quite like some simple ones like having a full screen channel list (without faders/cues) and/or a custom screen where you can pick one to four existing displays. This would need to work in the monitor app to be useful though. Another thing that isn't there is MIDI over USB. I know other people have asked about that - so many MIDI devices are USB now the old DIN socket is looking a bit old school and having to buy, power and plug up an interface is a bit tedious. Some improvements to the use of MIDI notes have been aired in other topics as well. I've voted for "OSC triggering & reporting" as an alternative to better MIDI but it'd need to be good and let me trigger and even fade playbacks for example. I've voted for "CSV import/improved export". Not because I want to use it to share files with other (obviously inferior ) manufacturer's desks but if you could export and import a full showfile then the possibility exists that you could edit it in Excel and load it back. I'd want to do that for a number of reasons but they might be less pressing if "partial file load" let me load playbacks/cues/palettes from another show file (as long as it had the same patch) and if "ability to update multi cells simultaneously" was pretty universal and as easy to use as a spreadsheet so I've voted for them as well. Editing in Excel carries risks that you end up with an unusable show file but I'd live with that as long as it didn't brick the desk (which it shouldn't). I've also voted for "rig plan layout" as I've had this on things I've used before, its even better if it mimics some of the fixture attributes (like colour & intensity) but, even without that its much easier to pick the right fixtures from a plan than from the channel list. My memory and eyesight aren't improving with age so I'm forever peering at the screen and scrolling it to find the fixtures I want so I've put a vote in for that. You'd need to implement some sort of rig plan (even if it wasn't visible) to be able to do "stage sizing" (which I've also voted for) - this would be a busker's dream if it works well enough but I expect it will be difficult to make it work right all of the time - especially in a touring environment. I'll forgive you if you chicken out of this one but not if you deliver something below par. I've also picked up "fixture editor within ZerOS" - frankly I don't care if it's within ZerOS. Any updated fixture editor that works with the new format that is less clunky than the current one would do (as long as it works on Windows or Android - I'm not a fan of Apple products).

There's my first lesson. I was under the impression that programmer time only applied to fade in but not to clear. Definitely going to give that a try. The video I'll have to review later, I've got a dog reminding me that it's walkies time. Thanks for the input though, prompt and helpful as always.

There are two things I do though. One is using blind mode to create a new cue before I need it, another is to use the programmer to make a new cue live, record it and make it live then clear the programmer. I can then fade out the new cue which I can then delete or keep and re-use.