van den abbeele Eric

Ole I have active Split and put terminator at all thé dmx Line whé is is defzult Split Gad led statut changing so and I think that is a desktop problem ... perhaps I Must Be care full will RDM to swistch off... there normaly no signal return with standard DMX ... So I will have a look on the différents options ... but when you see without any action à bouton led on with projector on, it s look strange ... thank Kevin for your help

Saturdays it was Chanel 29 (q188 number 3) and today ( it a other implantation) it was Chanel 7... i will send the files tomorrow night ! but today like I tell before I did only mapping and light spottong on stage ... thank for your help !

Hello, I come back on this thread, having no answers about my worries ... Last Saturday at the first show with the FLX, at a time, without me touching anything, a led of a channel turned on by itself and that to turn on the floodlights of the channel. This happened twice ... Kevin told me that this may be due to the trigger problem ... Today, I am on another show and for the moment no CUE of programmed and I had again this concern. During the spotlighting of the projectors, so without any manipulation on the FLX, there was a led of a channel which lit up with good on the corresponding spotlights which were lit too. To reset everything I had to intervene on the Fader (Up and down for a zero ... This is very annoying, because I feel that things go randomly and really in pure hazard. The only problem is that in full show to have a projector or a series of projectors that turn on alone it is not serious ... Where can come problem, especially if there are no cues recorded ... And I have a big show this Saturday, encoding tomorrow all day and Friday all day ... Thanks for the help !

So I find a solution for UV and AMBER. (Wheel encoder must be turn about 40 times before to have max level. And same for return to zero. So I create a Palette with UV on and UV Off and same with Amber. Like I explain three or four days before, I using a Lot Amber and UV...

after continuing menu visit with my yesterday performance file, I see In source / intensity window sometimes there is "D" default value and "O" and sometime no value (without different manipulation from me during recording...)

spectacle domino.isf

I go on "what is tagging", but not understand all ... Just to know différence between the different option about tag and what it will do with light.... SO I Keep my show and I can send it here... For be analyzed By Edward or Jon... In you theater what option you use ? Smart Tag ? (I must understand what is the use of Smart Tag...) thank for your help

I have two desk one rescue 48 chanels « jester » from zéro 88 ans thé FLX with wings. Si with thé Flx and Numbers or projecteur that I can have I Think (if there is no lire problem with bug) i will buy (when I will have money) a second Wing in this way I will have direct Control and 48 chanels and playback on 24 chanels for animation and chaser. but first I Walt to underdstand the two yesterdzy problems so nice day

So performance is finish ! at 99,95% Good night ! just two Times problems Just after going on a next cue (perhaps cue 50) after 30 second a Chanel as led bouton on (without action from me) with à light on stage that illuminate... so i did swirch off quickly... and perhaps 15 mn after it’ve doing same thing again without any action from me .... it was strange... is it normal bug... so during thé day I was recording Manu effect and doping Manu copy (like black ) tell me what this can happening ? Bug from software ? thank for your help eric

So chek up before performance and some ghosts comes... just about moving and some position wrong. Certaintly mistakes from me ... but for my first Time it s ok and just after few hours working with...

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Naming If I undestand when i finish a cue when info to record I can go to name and giving number and validite thé cue ? for effect I do this recording with « no effect » option but effet us stil here... but in option I choise option to prepare moving effect before to send effect with moving and perhaps this option keep all orher things like moving.... so for instance my solution is ok ! I keep lyre in bleu at 1%

Other question : I use lyre and using moving effect... working correcty. and when going to black I would like to stop lyre moving, but with intensity to zéro there us no recording things and moving us continuing... so for instances I record with deep blues at 1% and no mouvement can be recording ... so I m sure that there is sole thing else to do but I don’t Know what .... thank for a help !

Question : in daily use what can be problems that will do bug ? is there thing that musn’t do during encodage or performance ? thank for information ... Éric

Hello yesterday first repetiion with the FLX overall things are going well! but at some point I block ... so either I put aside or parfoid I find the solutions quickly! I think the first thing that causes problems is that if I record a black and then know the effect before is changed is to have to go back to black to put out what has been added ... the second problem is to manage to add names to the cues ... sometimes I get there and sometimes not .... what is missing : side effect, management of leds with variations of lights and intensities then saw that I start on the console can be there. What things are going on? the other thing that raises concerns but it is perhaps not possible to change things is when leds work in addition to the red green blue white example of amber that it is not integrated in the selection of colors ... (except to manually add amber) indeed when we go on the search for color the picker and we want the amber the software will make the color with the white red green blue .... and since the access to amber is done by the buttons rotational that must be rotated long to have real amber the time is lost quickly if the amber returns often! so I think in future evolution the management of all colors on the picker would be a big plus! I keep repeating them ... full of other things to say later ... but overall happy with the new rule! see you later

Thank à lot

I also understood the patch operation of several DMX addresses on the same fixture. Convenient to avoid having too many take chants when there are many numbers of circuits. (Example next week I go to a Theater or in traditional, there are 350 DMX circuits. And apart from a few moments of blocking, I start to understand the base ... Then in a few months, it will be much better .... QUESTION About Capture (For Mac) installation is complicated? Because I would like to be able to prepare some things at home, just to save time ... I just have to see the money spend what it gives, because it seems to me that Capture is not given ... Thank you for your help and I'm happy with my purchase! Returns in the coming days to talk a little about the things I feel over the days and help the best. But it is obvious that this product must be able to interest a certain number of structures. So video in French, that I can do to boost things and help you sell this product in France!

thank you very much Still a concern on the fader (chanels) I have no problem on color palettes outside always the famous UV on the encoder wheels. I have a moment ago with the wheel to mount the UV to the max. And there in fact every time I run the fader to have intensity UV returns to max. I use the button CLEAR UV returns again and always Max. And when with the palette I launch a color, the UV is still there ... What to do that the UV do not return (in mode channels)?

I just saw the function "move to dark" ... that means if I understand correctly that the software automatically places the positions before the placement of the lyres ... this solves the concern evoked if above investments in black before and after utility...

Hello Kevin, Today I have been to the theater where I have my equipment installed for a Saturday show. I spent the afternoon on the console with all the material and so it is more speaking. I have some difficulty for some things because I do not have all the possible manipulations in mind. And especially as you say I'm still with the logic of old consoles ... But over the hours things are better and I can do things. For the moment what I do not find more practical is some parameters of not being able to have on hand, except to make a playback. (actually a sub group) Then the different layers of fade are also to be integrated. It's confusing at the beginning, but in fact logical when one wants to refine things ... One of the other things that are missing is to be able to 24/48 on the same channel to put several DMX addresses. As for example for dimmers, or we can put several circuits on a same fader. I solved the problem with a playback. My concern at the level of playblack (in any case this afternoon) I wanted to make a UV playback (since the UV I only with the rotary knob) and in fact I did not succeed to have them. The LEDs first go on white and then after three seconds go to UV ... Then the other difficulties is when on an effect you position a Lyre on a CUE (example 4) and that it lasts on several cue 5, cue 6, you have to copy the effect then build the entourage to find the position . But since I like that the lyre is positioned before it turns on, it is necessary to find the position for the CUE 3 and ditto I like at the end when the lyre goes black (CUE 7) that the position does not move ... (except when I look for effects) But I see in the afternoon the power of the machine ... Then I understand why the wings are more positive. There I have one more wings and I think in the times to come (if the money is there) I will go on a wings and more to have more access on hand. canals or playblack .... In any case a big thank you for your help, eric

Ah OK You re in the same configuration then me. 24 to 48 Conventionnal 36 to 48 LED 5 Lyre Wash 4 lyre Beam Only for dance (Artistic)

It is obvious that on such a console we learn every day ... Because there are so many menus in every sense ... In your case you use your FLX with what as material and in what type of show ...?

OK Top It s working... I was looking about update on screen menu... thank a lot... Like I tell before, I must understand the way to use...

so I did a factory reset. After going on system setting. There is no update menu. Only External display setting with disabled. - Enabled - Auto detect calibrate monitor (and after différents resolutions). So resolution look's good, because I ve a right screen display. This is tactile which look to doesn't t work...

I restart everything. VIDEO Still no operation of the touch screen. The display on the screen is done but I can not run the screen so that to work is a little complicated. FADER What I miss is a lot of direct access. Because there I am to train with 1 projectors. But on show I'm with a lot of things all over the scene ... And I think it will take me some time to understand the whole logic of how FLX works. For my part the master playback button will correspond a little to my old GO for monitoring the show in order. 150, 200, 250 effects that follow each other ... Then the playbacks buttons, will be more help and catch up ... (example lack of a little face on the faces ...) PLAYBACK to MASTER PLAYBACK But if indeed I can record things that come from the Playback (strob, UV and other things) to the Master Playback, at that moment it allows me to better manage things ...