Edward Z88

Hi Wytse, Yes that’s exactly right. For example if you’re not using any of the preset B channel faders, patch them to Universe 4 starting at DMX 1, loop a DMX cable from DMX Out 4 to the DMX in, and then assign DMX In to trigger the Playbacks you want access to on other pages. The bottom row of channel faders are then extra Playback controls. Hope that helps Edward

Hello, Yes that is possible. DMX In can either be used to remotely control the intensities of patched fixtures, or to remotely control Playbacks. This can be configured in SETUP -> Inputs & Outputs -> DMX In Control Playback -> Add. You can then add as many Playbacks that you want to be triggered, and configure their remote DMX address. If you want more hands on faders without needing to change page, you can also patch unused channel faders to an unused DMX universe, and plug the Output of this universe into the DMX In. These channel faders can then be used as Playback control. Hope that helps and makes sense, any queries let me know. Edward

Hi Johan, It isn't recommended, as although the channel is at full, the Triacs are still in circuit, and so cause the AC Sine wave to become very messy, which capactive dropper power supplies such as in most LED lamps don't like! Edward

Hi Johan, The Betapack 2 is a leading edge Triac dimmer. Looking through that PDF there is no mention whether those lamps will be happy on leading edge dimming, so you would have to try at your own risk. You say you will plug multiple LEDs into a single channel, so you should be over the minimum load of 0.1A. Therefore it may be worth buying a small batch and trying them on a channel, to see whether the dimming curve is acceptable. Edward

Dear All, Zero 88 Fixture Library version 35 has now been released. For full information, please visit: http://zero88.com/software/library This release contains 7013 fixtures from 305 different manufacturers. For a list of fixtures in the library please click here. The library is released in 2 formats: Full version for desks running ZerOS software (ORB Series, Solution series, FLX Series, FROG2 and Leap Frog 48 & 96). Filtered version for other Zero 88 desks. This removes data that is not used by these other desks, so that the file is smaller. When using a floppy disk (original Frog series, Illusion 500) it is recommended that the floppy disk be freshly formatted before using it. Download & Installation The correct format of the library for your desk can be downloaded by clicking the product name below. The library (.ift file) should be placed in the root directory of the floppy disk or USB stick. ZerOS desks (ORB Series, Solution series, FLX, Frog 2 and Leap Frog 48 & 96) To load this file into your console extract it to the root of a USB stick and plug into your console. Then tap SETUP, tap "Load File", then select the GFT.ift file. JesterML & JesterTL The fixture library is installed on the desk at manufacture, however this can be updated from USB if required in Setup -> Update Fixture Lib -> Update Library. Frog Series and Illusion 500 Use 'Common Fixture Manager' (included in the Fixture Tools download) to select the fixtures you wish to use, and save this as a file to a floppy disk. Diablo The fixture library is used with the Diablo Fixture Manager PC software. Sirius 250/500 Use the Fixture Type Editor to import fixture types from the fixture library, and then use the ‘Export Sirius UFT’ function (under the ‘File’ menu) to generate data in the correct format for the Sirius 250/500. Further details of assigning fixtures on the desk to fixture types in the fixture library can be found in each desk’s operating manual. Additional Fixtures If you need a fixture type which is not in the library, please read the following thread: http://zero88.com/fo...xture-profiles/

Hi Rob, Really sorry to hear this. As Kevin mentions looking at the Blue Room it seems you have got a replacement in time, but feel free to give us a call, and we'll see if we can narrow down what the cause of the issue is. If you want to contact me personally my mobile is 07976 791850. Edward

No worries. In future, feel free to use our dedicated fixture email address for fixture requests... FixtureSupport@zero88.com This mailbox is checked regularly by the team, so you may get a response quicker than on the forum. Edward

Hi James, If you are programming in Tracking mode with SmartTag disabled, the console will do this for you automatically. You can program your first cue where the Mac 300 goes red over 20 mins, and then continue programming all of your other cues (without the Mac 300 being tagged). Then when you advance through the cues after the Mac 300 colour cue, it will continue its 20 min fade, unless one of the following cues gives it a new command before finishing its fade. Hope that helps, any queries let me know. Edward

Hi Mitchell, Rather than putting an Effect over a Colour Palette, apply a colour Effect first, and then use some Colour Palettes over the top. You'll find this gives you different effects, so have a play. When you're happy, record this to a Playback. Hope that helps and is what you're after. Edward

Hi Chris, Yes Kevin is correct. For your Playbacks on your Solution to act like a Fat Frog, tap SETUP -> System Settings -> Page Holdover if Active set to Enabled. Hope that helps, Edward

Hi Edi, Thanks very much! Edward

No, they wouldn't Edward

Hi Carpo, Please find attached the fixture file for the Stairville CLB4 in all channel modes. For 14 Channel mode, Patch 4 of the 3 channel mode fixtures, which will give you a fixture per LED PAR on the bar. In addition to this, patch the "Control" fixture after the four 3 Channel fixtures, to give you an overall Master and Strobe control. Stairville Compact LED-Bar 4.ift Hope that helps, any queries let me know. Kind regards Edward

Hi Edi, That is an odd one. No I don't think you've done anything wrong here, I believe this may be a bug. I have added this as ZOS-8518 on our software tracker, for our software team to look into. Many thanks for letting us know. Kind regards Edward

Hi Norman I can't recreate this issue, and haven't come across this before. Would you be able to send a copy of the show file the issue is in, as that may help to find the cause of the issue. Also, what Android tablet are you using? Edward

Hi Rob, The fade times displayed per cue of your chase are only there for if the Playback is reverted from a chase as you describe. Chases therefore don't use these fades. To achieve a cross-fade between the steps of your chase, go into the Chase's Settings by holding SETUP and tapping the Playback's button, and then set the Percentage cross fade you wish colour parameters to use. 100% cross fade means that 100% of the duration of each cue of the chase, the colour will be fading. Hope that helps, any queries let me know Edward

Hi Gerhard, Ok thanks for pointing that one out, we will look into this. Ah apologies yes for Effect this won't work, as this does indeed apply to 16 bit parameters only. We will look into improving the sensitivity of the Effect parameters, in the meantime If you are still finding this an issue, you should find around 40% global sensitivity is a good compromise for all parameters if you are regularly using Effect encoders. Thanks very much! ;-) Edward

Hi Nick, Yes that is possible, depending on your fixtures and the merge that you use. Is there any reason the Guest Technician wouldn't use the FLX S? Keeping one control console always makes things easier, and if the guest technician wants to use the console and just control intensities you could always use the Remote App to control the colour and zoom remotely, whilst they stick to controlling intensities. Edward

Hi Peter, Thanks for feeding that back. Edward

Hi Doug, What software version are you running, and how are you triggering your movers using a Macro? By default, Move on Dark won't Move On Dark effects. This can be configured in the Playback's settings by holding SETUP and tapping the Playback's GO button, going to the Move On Dark Tab, and choosing which Attributes you wish to Move On Dark. Hope that helps, any queries let me know. Edward

Hi Gerhard, No worries your English is much better than my German! Thanks very much for taking measurements and feeding that data back, that’s very useful. Edward

Hi Gerhard, Really Glad you like FLX S! To change the sensitivity of each attribute, rather than going into Setup, hold SETUP, and tap the attribute tab along the top of the touchscreen when you have a fixture selected. In here you’ll be able to define sensitivities per attribute, and you’ll also see that when holding SHIFT, you can define whether the wheels fan the parameters, or act as fine of course, which is what you may want to consider for Effect if you find it too sensitive. To set a specific parameter level, you can hold SHIFT + tap the parameter name above the encoder wheel on the touchscreen, tap Z, then type @ (percentage level) for the parameter to go to that level. Hope that helps Edward

Hi Peter, Feel free to send me your show files and I'll take a look. Both Solution and FLX S have the same Playback defaults, so you should see the Playbacks behaving exactly the same on both consoles. Kind regards Edward

Hi Steve, If you haven't recorded anything onto the Master Playback, hold SETUP and tap the Master Playback's GO button. You will then be able to choose "Grand Master". The fader will then act as the Grand Master, and the Master Playback's button will act as a Blackout. Hope that helps, any queries let me know. Edward

Hi Edi, Clear Fixture is a way of choosing which values in the programmer you want to clear, as opposed to tapping CLEAR that will clear everything in the programmer. This is therefore useful if you accidentally bring specific fixtures into the programmer, as you can select them (for example 1 THRU 6 ENTER) and tap the Clear Fixture UDK. Knockout turns off currently selected fixtures that are coming from Playbacks. Therefore if you have a cue with fixture 1 on, and you select fixture 1 and tap your Knockout UDK, it will be taken to 0%. When you go into the next cue this fixture is used in it will output at its programmed level, and if you go back into the original cue you used Knockout in, again the fixture will come back on. This is therefore a temporary way of taking a fixture out of a cue, and different to the syntax 1 @., as it doesn't bring the fixture into the programmer. This is especially useful if a fixture has been accidentally knocked out of focus during a show, as you can select it and tap Knockout in the current cue, and allow for the problem to be fixed ready for the next time the fixture is used. Hope that helps and makes sense, any queries let me know. Edward