Jump to content
Vari-Lite Controls Support Forum

kgallen

Regulars
  • Posts

    1,802
  • Joined

  • Last visited

  • Days Won

    69

Everything posted by kgallen

  1. 99% of the time it’s a silly fault easily rectified! Great news. You can still look at a new console but in your own timeframe now rather than forced to act. On which note I do highly recommend the FLX range although it looks from your OP that you don’t need anything too fancy. I would have thought the FLX S24 would be more than adequate unless you need absolute individual control over those 36 dimmers. Fat Frog lives to fight another day/year/decade!
  2. I would doubt that very much. I have Z88 product far older than FF (which I also have) which still works perfectly. And this is not by chance, these are very well designed and manufactured products. It depends whether you have the will/inclination/skills to debug this further or whether you have your heart set on a new console. I understand Z88 will of course be interested in you buying a new product. If you want to look into repairing the Fat Frog then having a dialogue with Keith @KWR88 at Zero88 or Ian Knight @iank99 in Coventry for example would be worthwhile. It depends on your location.
  3. Wow that looks a fantastic job! You’ll have to post more details and pictures of your mod and your whole setup with synths!
  4. Fantastic! I will be looking up the initials on the made/test label in all of my kit now and hope I find some "KR"s 😄
  5. Yes, we're talking about the same piece of circuitry. From the left of your picture, output terminals, diodes (1N4148 or similar), then there is a transistor and resistor pack (base current limit?), then the row of chips is a mix of LM324 quad op-amps and 4051 8-channel analogue demuxes. Fairly standard time-division multiplex output stage from a processor-based desk outputting analogue control channels. There is that transistor in there and I don't have an example schematic with that component in the mix. If you ask @KWR88 (Keith) really nicely he might provide that sheet of the Sirius schematic so you can see what's going on. However since you're after this golden 0V output then you are probably going to need to design/implement an offsetting circuit. It sounds like you only need one channel of CV? An op-amp with an offset comparison voltage to take out that 240mV you're seeing. You will need +/- supply voltage rails so you can generate -240mV and your op-amp can drive down to 0V. Analogue electronics is not my speciality but if you google around the above ideas you will find "stuff". Come back and share here if you want. It's the sort of thing you could implement on a piece of Veroboard, no need for a custom PCB. (Random point - your desk was built in March 1996, but those 4051 chips have a 1997 date code (9735, 35th week 1997), so they've been replaced at some point).
  6. Probably within spec. Likely to be caused by that series diode and that the output opamps are probably quad LM324 single rail types so can't go all the way down to 0V. In lighting control this slight offset would be masked by dimmer preheat for tungsten filaments. If you're using as the CV for a synth, I take it you would be using this more around middle-C so the CV is likely to be around the 2V-8V region? Although I'm intrigued how you use a lighting desk that "fades" channels with a synth - some kind of theremin emulator?!
  7. That's not an easy one for the Zero88 chaps to answer - after all these products are designed to drive thyristor dimmers not analogue synths! So you might have to make your own assessment of the electronics unless there is another forum member who has tried this. Is there a specific desk you have in mind? Often the output drive will be an op-amp follower with diode as shown below. This will give a low-impedance output which will give a good quality control signal that might suit your application: Some desks, like the Mk1 Level series use a simpler circuit that has a higher impedance output. However this might still be fine. You'll have to do your own investigations/experiments with the kit you have. If there is a specific desk you have in mind, then the Zero88 guys might be able to help you out with the specific output drive circuit used. One issue you might have is needing to common the 0V of the lighting desk and the synth. This may or may not be ok. For example MIDI uses an optoisolator to ensure there is no common electrical path between each musical instrument. I'm not familiar with synth CV electronics so this may or may not have a similar requirement and if it does, you will need some interface electronics. Good luck! Kevin
  8. kgallen

    Fader Calibration

    Sounds like you need a can of compressed air spray. Check it's suitable for electronics cleaning use.
  9. I don’t believe this is possible (I have a similar application requirement too). I believe the MIDI output is ‘thru’ not ‘out’ and I’m not aware of any commands or macros that can trigger the FLX to output MIDI control messages to other equipment. This is a shame - the only output available on FLX is DMX (XLR or via ArtNet/sACN), there are no ‘aux’ type outputs.
  10. It's rarely the case! Buy a new laptop or smart phone and the first thing it ever wants to do is update the software! ZerOS isn't updated that often ( 😉 ) but if the console has been "on the shelf" for 6 months it's almost certainly behind on the current ZerOS release.
  11. Hi Edward, Fantastic, thank you for the quick and thorough response! Specifically thanks for the detailed response on Q3 - I'm looking forward to some detail in this respect in the upcoming Macros webinar 🙂 [if not too cheeky a request, maybe you could include this one as a worked example 😉 ] Much appreciated! Kevin
  12. Hi Edward, I'm after a little more detail on how the console interprets the FLX Remote Switches inputs. I understand from the Manual a "falling edge" caused by connecting the Remote Switch input to the common is equivalent to pressing the configured console button/operation (internally this will be a "logic 1" caused by a pull-up resistor changing to a "logic 0" caused by the remote switch being activated which effectively connects the remote switch input to common, or what will be zero-volts - or maybe you're achieving the same with an ADC input as was the case on Frog.). So: Q1: If the "falling edge" is the trigger, is it OK to keep the Remote Switch input "low" (shorted to common) for an extended period of time (many minutes)? Both: electrically - which I suspect is fine, the external "remote switch" is just sinking a few milliamps of current from the FLX remote switch terminal to 0V; And: software wise: I don't want this "long press" to make the desk move multiple cues or go into "pause" or "go back" mode or anything else crazy. Q2: Is the point (in time) of the remote switch release (effectively the "rising edge") irrelevant (other than needing to go high again at some point Q3: Can I make FLX sensitive to the Remote Switch input for specific cue "GO"s and ignore the Remote Switch input on other cues? I will want the Remote Switch to only trigger certain cues and at other times use the GO button on the console as normal. Q4: What is the situation with the front panel buttons if the Remote Switch is held "pressed" (Q1)? (a) Will the front panel "GO" button still work normally if a Remote Switch input that is also assigned to "GO" is still held "pressed" (Remote Switch input is still shorted to common, hence "logic low"). (b) If (a) is applied, will the desk ignore a Remote Switch assigned as "GO" until it releases ("logic high") whence a subsequent Remote Switch "falling edge" will trigger GO again. I believe all of this should work fine if ZerOS is looking explicitly for a "falling edge" on the Remote Switch as the trigger point and ignores the steady-state of the Remote Switch input. In essence if I have a piece of a-n-other equipment that has an open collector output that goes low (let's say for sake of illustration, the PLAY remote control output of a Sony MDS-E12 minidisc player 😉, spec below) then this should be able to trigger the FLX Remote Switch input [OK let's say I may well put an opto-isolator between the two, but the operation is the same]. Hope that makes sense! Thanks, Kevin ps I'd prefer to trigger the minidisc from the FLX on pressing GO, but since the FLX has no outputs other than DMX (or DMX over 'X') I would need to design a DMX decoder with the required outputs and map this as a fixture on FLX and programme the required trigger into a cue. I will look into this approach too...
  13. Hi Wosti, Also by default when you lower a fader it will "release" the fixtures - hence they will revert to whatever was controlling them prior to this playback being triggered (raised). If nothing was controlling them, then default values will be output. I'm sure Edward has answered your question more fully - but you also might want to look at disabling release on lower which might give you a revised approach. Release On Lower can be enabled/disabled under the playback settings for that playback (Setup+Playback button). Kevin
  14. I've logged a search on the YouTube Z88 channel so I don't miss when the training video comes out. As a regular FLX user I don't want to be behind the curve on understanding and using the latest new features. In particular, I need to revise if I'll need SmartTag on or off to get the best results when using the ZerOS Wing SD. I suspect this new product will also be "multi-touch" which in this instance may be a design and product validation oversight, but I admire your consistent application of the technology between the main desk and all peripherals.
  15. This looks like it's a wireless product, so will it work on inductive charging technology or is a powered USB hub required? If so is it USB-C compatible? If you decide on a Mk2 revision, can I request storage slots for my minidiscs please? 🤭 (The Roman Numerals feature really hit didn't it! I see as a result you've had to stress the chronological annotations! 😝)
  16. Do you have any appropriate fixtures patched? If so on the Effects page can you press "Create Auto Palettes"?
  17. On earlier Z88 consoles like Fat Frog and Illusion we were able to assign parameters to thumb wheels and wheel pages of our choosing within the Fixture Editor. It’s a shame this information can’t be used on FLX - although of course with the new library we’re one step further away from the application of the ‘old’ Fixture Editor to this console range.
  18. Put on a USB stick, Setup->Load
  19. kgallen

    16bit values

    😛😝 Cut the chatter, quote the competition - you're guaranteed to get a ZOS out of it! (Filed for future reference 🤭).
  20. On FLX S I suspect you will need to devise a chase. On FLX we can use Effect Waveform for this. In theory for FLX S you could use Phantom ZerOS in FLX mode, use waveform to create your Effect, programme a palette, save the showfile then load into FLX S. Once in FLX S you can use this palette although you won’t be able to modify the effect once in the desk. Edward will no doubt have better ideas!
  21. kgallen

    Capture files

    They are at the bottom of this page: https://www.zero88.com/zeros Or on this page: https://www.zero88.com/manuals/zeros/networking/connecting-to-capture
  22. Hi Ben. Please quote the console type and ZerOS version you have installed. Thanks!
  23. (Thread bump/slight tickle). Just curious if the team had any further thoughts on Eric's (and my) issue and the subsequent enhancement suggestion for an in-desk pan/tilt "correction offset" for physically misaligned fixtures (due to poor hanging accuracy - Eric, or "cheap" fixtures with poor mechanical calibration - me). Simplistically, this boils down to a new column in the Fixture Schedule where a fixture can have a +/-(small DMX value) for Pan and/or Tilt that the desk adds to the programmed value prior to DMX output. The more complex aspect is the UI and some integration with maybe the Highlight feature to allow this offset to be determined by observing the fixtures on stage as they are tweaked with the encoder wheels. In ETC Eos this is similar to "Hang to Focus" offset which can be applied in X, Y and Z planes. Thanks! Kevin Unrelated I also came across another interesting feature, "Preheat", which is a bit like move on dark, and is used to preheat tungsten lamps at the cue before they transition above 0%. This would be of interest for me, as to mitigate thermal shock, particularly on a flash to @FUL I will try to program a preheat of a few % on pre-cues where the next cue will be a step-change bump to the lamp. Of course I already have my Betapacks set with appropriate preheat, but this is of course at a much lower level such that blackouts are still dark.
  24. kgallen

    16bit values

    This is a fair point and I know the Zero88 team have been thinking about this for some time. I think the main issue is you need some detailed calibration data for the fixture to be able to translate the DMX value to degrees - and often we're not working to a "nice" 360 either because pan is often 0-540 and tilt +/-130 degrees. Worse is you would really need to express that to two decimal places to get close to the resolution afforded by the DMX channel pair and the fixture - you're pretty much back to that 16 bit number in decimal. Using percentage is really not viable for pan and tilt, it's just too coarse. Remember pan and tilt have moved to 16 bit parameters because 8 bit, which gives 256 steps, is just too coarse. Percentage with no decimal places is over twice as bad! I'll put an enhancement request in for pan and tilt to be expressed in hexadecimal instead (only kidding - although at least 0x8000 is halfway, rather than 32768 in decimal, and 0x4000 is quarter instead of 16384... maybe not such a bad idea after all!). Being serious again, I'm not sure how much during programming, you really care the exact value for pan and tilt. We work on "is the mover pointing in the right direction" and almost certainly work with palettes. If you want to "centre" a fixture, then Home would normally get you there and we can all remember that half way is "around 30000" even if the "exact" value of 32768 isn't remembered - it's all so fixture and mounting dependent anyway. Having said that, I've recently learned that one can type in a value for pan/tilt using Shift/Tap, which should certainly reduce the amount of frantic encoder twirling I do (and play to my OCD of wanting exact/neat numbers across my fixtures!!!).
  25. The Image Manager is just part of the Fixture Editor tool. You can add gobo images that will display on the FLX by attaching the images for each gobo under the Detail tab of the appropriate Beamshape attribute for the fixture within the Fixture Editor software.
×
×
  • Create New...

Important Information

We have placed cookies on your device to help make this website better. You can adjust your cookie settings, otherwise we'll assume you're okay to continue.